That’s not really creepy though…I mean…my hair generally does smell nice…I think…
…although I’m mildly disturbed that you can smell it in Australia!
Best tag ever.
That’ll teach me to actually read through the things I reblog…
I’ll do these jumping jacks…um…at some point in time…maybe…
degari replied to your photo: I need help…
…
Holly suggested that Legolas/Gimli was, and I quote, “The most disturbing pairing ever.” So I had to come up with something more disturbing…didn’t I?
degari replied to your post: degari replied to your post: “I’ll try to be…
It is interesting though! In Australia we had a thing with getting a lot of things built, highways improved, etc, and from what I know (which is little but still), it…
did seem to help generate more jobs and keep things going. From what I know it does seem like a good direction to take.
It’s basic Keynesian economics. It’s proven to work. But certain people seem to have used the banking collapse as an excuse to further their ideological aims to cut back on “big government” and to punish the poor.
degari replied to your post: “I’ll try to be brief…” Hahahahahahahaahahahahah!
I started reading it, scrolled down a bit and laughed.
See, once you get me started talking about these things, it’s hard to stop…
degari replied to your post: Apparently…
Oh, question! Why is it always blue lines? Why not red, purple or some other colour?
Oh, that’s an easy one, back when comic art was photographed (because they hadn’t invented scanners yet) it was easier to filter out the blue and just capture the plain black lines of the inking. These days, again, when inked pages are scanned in, it should be easy to knock out the blue channel in photoshop and just be left with the plain black ink lines. The reason this often doesn’t happen is that people seem to be generally ignorant of this, often to the point not even understanding what the blue lines are there for and what they mean. I am constantly baffled why someone wanting to work in comic art wouldn’t, at the very least, Google this information so that they can actually understand what is an important aspect of their job. Too many artists think that all that matters is that they can draw pretty pictures and refuse to learn anything about the technical side of the job. This is, in my opinion, incredibly unprofessional.
degari replied to your post: degari replied to your post: These posts seem to…
Well, that would explain it I suppose :P
Colin Gibblefranchon was vastly underrated.