I'm a writer and artist, working mainly in comic books, and living in the South East of England (although I'm technically half Scottish and half English).

I'm the managing editor of Orang Utan Comics, group editor of AAM/Markosia, writer of Alpha Gods, Hypergirl and Hero: 9-5, and also do freelance inking and lettering work for the likes of AAM/Markosia, Slave Labour, Top Shelf, Image, Marvel/Panini and I letter the official Doctor Who graphic novels for BBC Books.



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Posts tagged "greg land"

sniktpop:

one day marvel will come up with a comic with all of the blonde female heroes in it and it will be drawn by greg land and everyone will be horribly confused

(via sinesbro)

starkexpos:

latverians:

in which all of greg land’s faces look like women laughing alone with salads.

Oh my god. 

Oh my god.

(via corelliaorbust)

marvelentertainment:

Iron Man #1 cover by Greg Land. Part of Marvel NOW!, launching in November 2012.

We interviewed Iron Man writer Kieron Gillen about writing Tony Stark. Here’s an excerpt from the full interview:

Marvel.com: You talk about Tony exploring how the universe ticks; it sounds like it will be pretty grand in scale.

Kieron Gillen: It will be. Grand scale is an interesting way of describing it. I want to put Tony in situations he’s not used to being in without compromising the essential Tony Stark-ness of it all.

Marvel.com: Does the ‘Tony Stark-ness’ of it all involve women?

Kieron Gillen: Oh hell yeah. It’s actually a key part of my second theme. I’m going to explore Tony and his relationship with women. I’m interested in Tony’s selection of women in everything, from his mom, to Pepper, to the random people he’s sleeping with and everything that relates to them. He’s a complicated guy and he does bad things occasionally without thinking. Well, not [without] thinking exactly but he’s not always thinking about the right thing. He’s not the distracted genius but he always has something else going on.

Matt Fraction did a brilliant take on the corporate figure and his run is a defining arc, so I’m staying away from it. Tony is still a scientist and will still be working on the armor but it’s all about him going out into the world and the whole grail-knight comparison. All the traditional corporate motifs are there but they’re not the primary drive of the book. Tony will be in the armor a lot, he’ll be going out into the world.

The first five issues will be single stories that will share [both] a defining motif and a plot but it will be Iron Man facing new instances of technology and each is basically a new villain. Each issue will illuminate something about Tony and they’re all very different. Issue two is a lot like the Bruce Lee Kung-Fu Island story; it’s like a joust, it’s all about the knight imagery, essentially going to a tournament. Issue three is like a ninja story, Tony Stark trying to be a full-on stealth master, issue four is a horror story and issue five is something a little more romantic and scientific but I’m going to keep that one under wraps.

I really want to mix it up with single issue stories because I think that quite a few people are feeling the same way. Single issues are an exciting place to go and anyone can jump on with any of the first five issues, not just issue #1. [In] each of those issues I introduce Iron Man; I say something meaningful about a character that you may know already and I want it to be accessible and to pop. That’s the thing with Greg Land: his photorealistic style really pops and it’s a glamorous book in that way.

Damn you, Gillen…you’re making it really hard for me to wait and get this in trade rather than in single issues…

In response to that anon, let me expand on the last point:

“P.s. the x ladies are looking mighty hot lately, hope Land doesn’t read your blog and tone down the ladies”

Tone down the “lady”, you mean, since all of Greg Land’s women look nearly the same. In fact, in a tutorial, he advises the potential artist to “Draw the kinds of features readers expect to see on this sort of character, including full lips, a petite nose, and eyes that have a nice darkness around them to draw the reader’s gaze to the pupils.” and “Since this is a glamour sketch, go for the aesthetic of the “ideal” female form. Draw longer, thinner limbs.” In short, he has an ideal in his head, and he draws women to strictly match that ideal.

Now, what’s the problem with this, you ask? After all, male superheroes are all drawn to match a ideal male form, too.

Well, because that ideal male form has variance. There’s the short and hairy Wolverine, the slimmer (sometimes) Cyclops, the bulky Colossus, etc. Robins have leaner builds than the Batman himself. Reed Richards is usually long and thin (as one might expect from Mr. Fantastic). Even with the mandatory Greek-god physique, there are different versions of that physique. And the faces! Even though there is a default square-jawed, glowering-brow facial structure, heroes do vary from that - Spiderman is usually one such, right? - and even within that structure, if Superman and Batman are in the same comic together, the artists usually make an effort to distinguish one black-haired Caucasian male from the other. 

Greg Land’s women, on the other hand, all have “longer, thinner limbs”, big bosoms, wide shoulders, thin hips, full lips, petite noses, and heavy eyeliner. And they have a tendency to get caught with their mouths wide open in a certain manner, though I’ll omit the usual speculation as to why.

I’ll even concede that it may not be due to tracing similar-looking models, because his tutorial showed him transforming a model who did not look like his usual lady into one who did. He does it by choice, not by incompetence.

Riiight, you ask, so what’s the problem with this? It’s a hot lady, even if it IS the same lady modulo different skin-tones, hair-colors, and costumes, it appeals to you, it’s pretty art, so what’s the problem? Sex sells!

On the solely “sex sells” front, I have to ask why more male characters aren’t drawn to appeal to women or gay men, since they’ve got money too. Now, I like muscular fellows, so some comic art looks rather good to me… but I’ve noticed that How To Draw [American] Comics books tend to have one tutorial minimum on how to make women look “sexy and alluring” (sometimes an entire section), whereas the tutorials for men are more along the lines of ‘how to make the hero look powerful’, with notes along the lines of ‘A thin waist makes a character look sleek, whereas a thick waist just makes him look brutish’. That’s very nice, but where are the tutorials on making men sexy and alluring, again? If sex sells, shouldn’t we be aiming to sell sex to the widest market possible?

Again solely from a “sex sells” perspective, not all men will like the same body type and facial features that Greg Land apparently prefers! Some men like wide hips - the famed “hourglass figure” is not a “funnel figure”. Some men like women bigger, some men like women slimmer (Difficult, you say? Shrink the shoulders to match the hips), some men like women shorter, some men like women taller… and Greg Land draws each and every one with about the same height and build. In this sense, he’s actually shrinking the “sex sells” market by excluding every fellow whose tastes markedly differ from his. (And yes, it is possible to have athletic women who do not all look like Greg Land’s woman. They may all have the same muscles, but if you slap them down on top of different skeletons, they will not look the same up to a change of costume, wig, and skin-tone! I mean, is every superheroine Greg Land draws secretly played by the X-Universe’s Lady Gaga?)

Oh, and by the way, Greg Land has been criticized for making even middle-aged mayors and scientists look the same as all the superheroines, so the idealized-female-form argument wouldn’t apply to all his stuff even if I conceded utterly to it. But I think I’ve spent enough time on the “sex sells” argument as it’s currently used.

As for other problems with his single woman - that single woman has facial features typically associated with Caucasian supermodels. This may make sense when on a Caucasian woman, but not all the women he’s supposed to be drawing are Caucasian. I’m trying to phrase this delicately, and I think it works to say that this choice declares “mighty hotness” to be the exclusive province of women with Caucasian features… and not just Caucasian features, but a specific subtype of Caucasian features. Not only is this ludicrously racist (though I do not claim this to be Greg Land’s intent - I am sure he is a quite friendly and unprejudiced guy in person), but I am sure that many, many men (and women!) would disagree that only a specific subtype of Caucasian features grant a woman “mighty hotness” - Sorry, I said I would drop the “sex sells” argument, didn’t I? Well, it’s the supposed magic bullet against any objections to sexualization and stereotyping of women in comics, so I figure it’s high time for it to be used to return fire.

Back on the “men are idealized too” front - teenage boys and young adult males look markedly different from older men in comics. The Robins are not drawn as miniature Bruce Waynes, never have been, and never will be. Even the Dread Rob Liefeld did NOT draw all male characters with the same build and facial structure - he has two male body types (muscular and torso-wide-as-it-is-tall), but he has two different male body types. And since Rob Liefeld is all but regarded as the Comics Antichrist, I think that drives home that male characters really are given multiple body types. One could probably argue that he has two different female body types, too - close-to-normal and severe-scoliosis-sufferer - but that’s a subject for different blogs.

Greg Land, on the other hand, draws teenage girls, young adult females, and adult women as having no appreciable difference whatsoever. There is no change in facial structure or body shape to tell the two apart - 14-year-old Hope looks nearly-identical to Jean Grey in her 20’s or 30’s. All of his females after the age of menarche have the same body. And you cannot say that about his males.

Yes, his males have issues with exploding biceps, but that’s a different matter…

TL;DR - Greg Land’s art has problems with the ladies, and it goes beyond bad anatomy, tracing, and the possibility of needing to be “toned down”. Even if you look only with an eye to “mighty hotness”… there’s a problem.
[Final disclaimer - no, I am not calling Greg Land racist or sexist, I am not calling the anon racist or sexist, I am not calling your houseplant racist or sexist, I am not calling anyone racist or sexist. I am criticizing Greg Land here solely for his artistic choices, which have certain unpleasant side effects. I am sure any unpleasant side effects are wholly unintentional. Sorry, a recent binge on reading the comment-sections of Wundergeek’s excellent blog has made me paranoid.]

By way of an apology to the mod for clogging up her Tumblr, here’s a truly spectacular example of the big-shoulders small-hips thing I was talking about [Again, that Photobucket account is not mine - I don’t even have a Photobucket account], and an amusing collage of Greg Land’s women by a guy here on Tumblr. (Please note the tags.) I just wanted to go into detail on the ‘Well, at least he draws hot women!’ argument, since it’s apparently one of his big selling points.

Nightcrawler by Greg Land

Kurt!

He’s just glad to be alive!

Oh…

(via gunslinger)

fuck-no-greg-land:

prettyserpentine:

…….
……….
…………
Did Land almost get human anatomy right on Canary? I mean, besides the impossibly long arms…. Did he like, get the body type right? For once?

VERY NEARLY. He has the hips and shoulders odd again, but not as wildly as usual, and her boobs are amazingly well proportioned.
Unfortunately, purple girl’s boobs and torso make up for all that silly anatomy.

Oh, where have we seen that Huntress pose before…?

fuck-no-greg-land:

prettyserpentine:

…….

……….

…………

Did Land almost get human anatomy right on Canary? I mean, besides the impossibly long arms…. Did he like, get the body type right? For once?

VERY NEARLY. He has the hips and shoulders odd again, but not as wildly as usual, and her boobs are amazingly well proportioned.

Unfortunately, purple girl’s boobs and torso make up for all that silly anatomy.

Oh, where have we seen that Huntress pose before…?

fuck-no-greg-land:

prettyserpentine:

I lied.
Land.
Who’s face are you ALWAYS USING FOR YOUR BLOND GIRLS? WHO THE FUCK IS THAT?!
And Babs has a hunch. I know she’s leaning over but for gods sake you stupid man, she does not have a hunch.
The only good thing about this drawing is the shading.

Mmm, all his blondes look the same…it’s painful.
I can’t actually figure out what Barbra’s breasts are doing…it’s like I’m looking at an optical illusion…

Are Huntress and that guy conjoined twins??

fuck-no-greg-land:

prettyserpentine:

I lied.

Land.

Who’s face are you ALWAYS USING FOR YOUR BLOND GIRLS? WHO THE FUCK IS THAT?!

And Babs has a hunch. I know she’s leaning over but for gods sake you stupid man, she does not have a hunch.

The only good thing about this drawing is the shading.

Mmm, all his blondes look the same…it’s painful.

I can’t actually figure out what Barbra’s breasts are doing…it’s like I’m looking at an optical illusion…

Are Huntress and that guy conjoined twins??

fuck-no-greg-land:

Here’s those two images I’d mentioned.

No wonder poor Psylocke’s neck seems so broken.



Who knew they were twins?

Oh good grief.

Oh ffs…

waitressingwonder:

iandsharman:

fuck-no-greg-land:

waitressingwonder:

amazingxmen:

Uncanny X-Men #8

Ororo, your body here confuses me.

I mean, I get that there is a claw thing here…

…But…

…HOW ARE YOU SO CONTORTED.

Also, this is labelled ‘Uncanny X-Men #8.’

FUCK, LAND’S COMING BACK FOR REGENESIS.

I just needed it on my personal for THE FACT THAT HE’S COMING BACK, otherwise, here, have some horrors.

In which Greg Land yet again fails to distinguish between agony and ecstasy.

This raises some truly horrifying questions about the man.

I think the phrase you’re searching for is “giant, pink, prehensile penis”…

(via mitsurugireiji)

fuck-no-greg-land:

waitressingwonder:

amazingxmen:

Uncanny X-Men #8

Ororo, your body here confuses me.

I mean, I get that there is a claw thing here…

…But…

…HOW ARE YOU SO CONTORTED.

Also, this is labelled ‘Uncanny X-Men #8.’

FUCK, LAND’S COMING BACK FOR REGENESIS.

I just needed it on my personal for THE FACT THAT HE’S COMING BACK, otherwise, here, have some horrors.

In which Greg Land yet again fails to distinguish between agony and ecstasy.