Chris Smith and the Nazi Zombies from Hell - Process: Pencils, Inks and Colours.
I just wanted to illustrate the creative process behind a page of art from this book. It’s been a pleasure working with both Vik and Charles, and working together I think we’ve produced a really great looking book. I’d really recommend picking it up when it comes out. It’ll be launching at the Bristol Comic Expo at the Dapper Chimp press table, and I’ll keep you all posted regarding it’s availability after that.
Talking to David today, he mentioned wanting to see some more side by side comparisons between Vik Bogdanovic’s pencils and my inks on Chris Smith and the Nazi Zombies From Hell (coming soon from Dapper Chimp press!).
So, I thought I’d post some! Just a few panels here and there, so you can see a bit of what I contribute to the final look of the art.
I’m going to be inking Vik on an upcoming project, so wanted to get a feel for inking over his pencils. It’s also given me a chance to have more of a play with Manga Studio.
Watchguard inking commissions.
Inking by Ian Sharman. Pencils by various.
WatchGuard, Teen Force 5, all related characters & indicia © Charlie McElvy, 2012. ARR.
WatchGuard, Teen Force 5, all related characters & indicia © Charlie McElvy, 2012. ARR.
The same page, by Jim Lee, inked by me…the page on the left was inked in June 2008, the one in the right was inked in April 2009.
Now, I haven’t inked on a regular basis in some time, but this was back during the period when I was inking a lot, and inking professionally. Both pages were done for my portfolio…I decided to re-ink this page before showing it to Dan Didio during a portfolio review (he said my inks were flawless…I’d respectfully disagree!) This shows how much I developed as an inker in less than a year. Just thought some of you might find it interesting…
This is one of my favourite pieces of my inking, and I’ve always been disappointed that it will never see print. The page was pencilled by Neil Edwards, you might have seen his work on Fantastic Four, he’s a great guy, and we worked together on several issues of Marvel Heroes for Panini here in the UK.
I don’t think I’ve ever told the story behind this piece online before, and I’m still not going to name certain names, but, you know, sometimes it’s good to talk about some of the negative things that go on behind the scenes in the comic industry.
Several years ago I received a phone call from someone within the industry that I knew. I had, in fact, worked with them before, and while that hadn’t been an entirely positive experience, I’m generally willing to give people a second chance, especially when they seem to be being open and honest with me. So, this guy calls me up and he tells me that he’s acquired the rights to Dan Dare. Now, this was just after Virgin Comics had gone under, who’d been putting out a Dan Dare comic by Garth Ennis and my good friend Gary Erskine (who, ironically, had replaced me as inker on Marvel Heroes). So, I knew the rights were going begging, and I knew that the guy who I was speaking to also had the rights to another major, classic science fiction character and was already publishing a reportedly successful comic featuring that character. He told me that he wanted Neil Edwards and myself to be the art team on the book, but that was pending approval by the people he’d licensed the property from, so could we produce a piece of artwork featuring the character, just to prove that we were up to the task. There’d be no payment for that, of course, but this was just a formality…they were bound to agree with his choice of art team after seeing the awesome piece of artwork that we produced. Neil had already agreed at this point, and as I’d been inking him already on Marvel Heroes, I naturally agreed too.
The result of this was the above picture of Dan Dare, which I bloody love. I think Neil really knocked it out of the park, and I know I raised my game on the inks. Through our short Marvel Heroes run I only really felt that I’d begun to click with his pencils on our final story together (which featured Spider-Man, you can see the inked pages in my dA inking gallery). With this piece it felt like we finally really clicked, and I was looking forward to working together more.
Time went by and I heard nothing. Eventually I saw an announcement that IDW had acquired the rights to Dan Dare and would be reprinting the Ennis & Erskine run from Virgin Comics. I was not a happy bunny…
It turned out that the guy who called me up (who shall remain nameless) hadn’t had the rights at all, but was merely trying to acquire the rights himself. He wanted this piece of art to show to the rights holders in an effort to persuade them to give him the rights. However, rather than commission the piece and PAY FOR IT as would be the correct and proper thing to do, he instead simply claimed that he had already secured the rights, and that this piece was just needed to secure our place as the ongoing creative team, which would have been work for hire and a regular pay cheque.
So, that is the story of behind this lovely piece of art. I hope you enjoy looking at it, as to me it will always represent a hard learned lesson. Don’t trust people, they’re lying buggers.
Teen Force 5 Alt Cover inks
Pencils by: Ray-Anthony Height
Inks by: MeTeen Force 5, all related characters and indicia © Charlie McElvy, 2012. ARR.